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m​:​n​:​m_m

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Canuck Tunes Radio This is great music and should be in everyone's collection! Kimberly
Tom Shea
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Tom Shea Smart, energetic songwriting and three different lead vocalists--what's not to love? Favorite track: Dead Key Drawer.
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    Minimalist black sleeve with design by Richard Talbot based on Tom's concept.

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1.
you wake up, if that’s what you care to call it curse the sun that creeps in through the cracks give a shake and wish upon that old magic 8 ball that always says “don’t count on it” no matter what you ask nobody sets out to be forgotten nobody intends to be had every snare the hunters laid is rotten lying in the dust of Khorsabad all those puppy teeth were so so sharp before the years of grinding in your jaw everyone remembers you a gold star shining nobody remembers when the sky went dark the dead key drawer in the hall reminds you that every key outlives the lock it serves every snare the hunters set to bind you is just a kiss across your haptic nerve a million prisoners paint the walls of their million cells each brick the colour of a brick each lightbulb painted the colour of the light each thing disguised exactly as itself the dead key drawer in the hall reminds you that every key is bound to be forgot and every light the wardens set to blind you illuminates all their secret thoughts nobody sets out to be forgotten but here we sit beneath Dur-Sharrukin every snare the wardens laid is rotten the dead key drawer gapes to draw you in
2.
High / Low 02:49
I’ve got a place, where I feel it inside when I hang with my sisters and brothers there ain’t no problem that we can’t figure out when we stand hand in hand with each other daytime, nighttime, last to the first what you need? what you want? it’s a blessing or curse there ain’t no problem that we can’t figure out when we stand hand in hand with each other oooo yay yay when I feel high, when I feel low you are the one, the place I go the least amongst us are the ones to build up it would seem such an obvious notion it’s like a mountain, when you stand on the top you can see clear from ocean to ocean lovers, fighters, it’s all the same when you’re in the same boat there’s nobody to blame just like a mountain, when you stand on the top you can see clear from ocean to ocean “time and tide...”, the realization that moves me buckle up for the ride, I hear it might get bumpy
3.
Dark Star 03:47
you are a barrel of oil walking around with your head on fire i am burning blackly just like you -- just like you we, we are two dark stars that shine in the sign of the trust fund kid we are the sound of the ox -y -gen leaving the room o dark star; shine bright while you still can o dark star o dark star; the world breaks in your hand o dark star you are a bag of syringes caught in the fence by a landfill site i am all sharps and hollows lost beside you there. we, we are two failed fledglings pushed from the nest of the trust fund kid we are the sound of everything that fails to bloom
4.
some poor kid in Sioux Falls South Dakota fails a surprise drug test at his shitty WalMart job he wakes up in a cell and he’s been saddled with a felony do not pass GO, go straight to hell and while Richard Nixon’s latest victim spends 15 years in prison for 11 grams of hash in an unnamed Mexican village a suitcase full of unmarked cash buys medicine and safety from the death squads of the Right: maybe the narco-terrorists were right. Some asshole from Canada wakes up with a plan: you will get nada as the CIA takes away your farm in the name of an efficiency that doesn’t scan your broken heart or mend your broken lands hungry in the barrio you watch the capitalistas grow fat and rich while you burn slow with socialism on the radio and you begin to see the light in the darkness of the night maybe the narco-terrorists are right some dry gulch farmer in Venezuela’s no-man’s land waits for Marxist rebels to bring doctors, water, this year’s seeds the bad guys with the guns are all that makes the infrastructure run sanctions broke the government and when the final petro-dollar’s spent parrots sing machine gun songs to kids collecting scrap and when the trucks roll up there are some questions you don’t dare to ask, like “where did all these guns get made?” or “who really destroyed my life?” you just thank god for a respite from the never-ending plight and you think today the narco-terrorists are right today the narco terrorists are… right.
5.
Make Us Go 03:23
started out hardwired; we the lucky ones 60 billions circles around 10 billion empty suns take it with a grain of salt we climb towards the light ticking atom hearts primed to detonate on sight Am I in control of this brain behind the wheel? What is it I set my mind to, imagined or real? Searching for it high, searching for it low Modus operandi We look for things that make us go carved to be a well-oiled gear machines inside machines taught to spin a perfect circle to take one for the team take it with a grain of salt we chase the perfect hit: dopamine disguised as love salt lemon on our lips Am I in control of this brain behind the wheel? What is it I set my mind to, imagined or real? Searching for it high, searching for it low Modus operandi We look for things that make us go
6.
the darkness is the worst kind of friend leaves the door wide open, coos “come on in, come on in.” the lip of sorrow hides the sweetest kiss you will forget everything but this. keep your heart in the light keep your hand on the line keep your heart in the light and take your time sleepwalk through the day, spin the wheel all night tell yourself you feel alright - just to feel alright the hand of sorrow holds a perfect pill. it says ‘you will be well, you will be well.’ keep your heart in the light... and take your time to know the shapes your shadow makes behind the curtain of the night; take your time to make things right take your time to learn the sound of your heart beating back the silence of the grave; learn to live in light and sound. learn to be saved. the darkness is the worst kind of friend leaves the door wide open, coos ‘come on in’
7.
Poor Boy 03:44
Sun creepin’ in; there’s a crack in the curtain Where’d the time go? I just woke up a while ago Stretch and yawn; coffee’s on In a mug that you lent me, on a saucer you sent me Starin’ up at a crack in the ceiling I pinch myself to prove that I’ve got no feeling For you…or anything you do Hey look in the paper: they’re looking for waiters. I’ll write you that letter I promised you soon And I won’t be a poor boy no more. Oh she turns and she twirls, her head held up high My memories’ reflection catches sun in her eye Humble and meek, I don’t dare take a peek Lest my boyish reflection get stung by rejection So I read a book, I watch the tap drip I make little animals out of old paper towels I’ll write you that letter I promised you soon And I won’t be a poor boy no more. Is it too late to unfurl the flags of redemption You called it distasteful, this symbolic erection Of an effigy of love like a voice from above Sayin’ I need you… Sundown’s getting near; why am I here? Oh where’d the time go? I just woke up an hour ago. I’ll write you that letter I promised you soon
8.
the wolves have been seen hanging ‘round town again wearing their soft grey suits and smoking their cigarettes everyone knows what they’re on about but no-one can say or their throat winds up cut: no-one can talk to the wolves like smoke they glide through the trees drifting like memories of places you’ll never be of things you won’t live to regret everyone knows they’re powerless to harm you unless you believe— and you do, and they’re sure of it no-one can talk to the wolves in dreams they surround me, relentless, remorseless with blanks in their eyes like unfinished portraits painted on knife-blades or carved into bone chips ‘we’re sorry,’ they tell me; ‘we don’t want to do this.’ ‘we’re sorry,’ they say, and they smile at me, lipless and grey the sky that we know is just a pale silhouette of another sky we never see even higher up overhead everyone knows where they were when the lights went out but no-one can say when it got so damn dark no-one can talk to the wolves
9.
Lucky 04:01
Lucky, lucky for me Didn’t get what I want I got what I needed, now it’s Lucky; I look and I find Faithful and true Those are the friends of mine I’m ready to let go of the wheel Trust not what I think but what I feel I’m ok to stumble and get bruised Whatever it takes to find my truth Lucky? Who is to say? The shirt on my back, Less is more anyway Now I’m lucky, lucky for sure I’m right here, right now That’s all the proof I need! There’s nowhere to run, nowhere to go Nothing to have, nothing to show Finding the reason on the way Never have I seen better days

about

Recorded April and May 2022 @ Grant Avenue Studio with Amy King.
Edited, mixed, and mastered June 2022 @ Threshold Studio with Michael Keire.
All sounds made in Hamilton.

credits

released August 1, 2022

Tracks 1, 3, 4, 6, 8: words and music by Tom Shea
Tracks 2, 9: words and music by Michael Blais
Track 5: music by Michael Blais; words by Michael Blais and Tom Shea
Track 7: words and music by Chris Van Barr, used with permission

Recording: Amy King @ Grant Avenue Studio
Mixing and mastering: Michael Keire @ Threshold Studio
Additional recording and edits done in band members' various basements

Special thanks to Mark Volkov for fiddle and flute on track 07
Special thanks to Giorgia Woolfe for fiddle on tracks 07 and 08

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minimum Hamilton, Ontario

minimum is Tom Shea, Mike Blais, Kevin Woolfe and Doug Scott.

The band formed in 2016 to stage a 30 minute speed performance of The Who’s Quadrophenia and the rest is history.

Their music fuses tight pop-rock harmonies and lyrical songwriting with diverse sonic textures and shifting rhythmic grooves that will make you want to dance like everyone is watching.
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